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Slavoj Žižek and Film Theory

A Subjective Study of Todd Philips’ Joker

Bibliographic Data

ID14995206
AuthorsSyed Shahab Ud Din, Bahramand Shah
Year2025
Volume42
Issue4
Pages1090-1115
Publication date2025-05-19
Open AccessNo
TypeARTICLE
VenueQuarterly Review of Film Studies (JOURNAL)
Journal identifiersISSN: 0146-0013 • E-ISSN: 1543-5326
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10509208.2023.2254672
OpenAlexW4386524072
LanguageEN
References cited11

Art · Art history · Psychoanalysis · Art, Politics, and Modernism · Cinema and Media Studies · Eastern European Communism and Reforms · Psychology

  • Sour Grapes

    Open Access•Jon Elster•Sour Grapes•1983

  • Discipline and Punish

    Open Access•Michel Foucault•On Violence•2007

  • The Subject and Power

    Michel Foucault•Critical Inquiry•1982

  • The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film

    Open Access•Matthew Flisfeder•Symbolic, the Sublime, and Slavoj…•2012

  • Society must be defended

    Open Access•Mariana Valverde•Law Culture and the Humanities•2005

Highly citedNo

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