The Sieve
Bibliographic Data
| ID | 14997086 |
|---|---|
| Authors | Aimee Meredith Cox (0000-0002-2587-245X, National Women's Studies Association, corresponding author) |
| Year | 2020 |
| Volume | 64 |
| Issue | 2 |
| Pages | 73-75 |
| Publication date | 2020-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00918 |
| OpenAlex | W4233755339 |
| Language | EN |
| References cited | 3 |
Nelisiwe Xaba’s Fremde Tänze prompts a consideration of the relationship between witness and performer. The metaphor of the sieve expresses the expansiveness of time and space, as well as the eradication of boundaries between bodies, and between bodies and material and psychic space
Aesthetics · Art · Combinatorics · Linguistics · Metaphor · Performing arts · Psychic · Sieve (category theory · Visual arts · Witness · Cinema and Media Studies · Communication · Diversity and Impact of Dance · Mathematics · Medicine · Philosophy · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |