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Theatre, Community, and Development

The Performance Activism of the Castillo Theatre

Bibliographic Data

ID14997098
AuthorsDan Friedman (Dan Friedman is Artistic Director of the Castillo Theatre in New York City, which he helped to found in 1984. He is also Associate Dean of UX, a free community-based school of continuing development for people of all ages also in New York. He holds a PhD in theatre history from the University of Wisconsin, and has been active in political, experimental, and community-based theatre since 1969., corresponding author)
Year2016
Volume60
Issue4
Pages68-91
Publication date2016-12-01
Open AccessNo
TypeARTICLE
VenueTDR/The Drama Review (JOURNAL)
Journal identifiersISSN: 1054-2043 • E-ISSN: 1531-4715
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/dram_a_00596
OpenAlexW2553228961
LanguageEN
References cited2

The Castillo Theatre’s three decades of making theatre as part of an ongoing politically progressive community-building project in New York City is a new concept/practice of political theatre. Its radical statement is located not primarily in what’s presented onstage, but with those who make the theatre collaboratively, approaching social change activism performatively rather than ideologically

Art · Ideology · Media studies · Political science · Political theatre · Politics · Sociology · Theatre director · Theatre studies · Visual arts · Cultural Studies and Interdisciplinary Research · Law · Theatre and Performance Studies

  • The long haul

    Herbert Kohl, Judith Kohl et al.•The long haul•1990

  • From the German Ideology

    Karl Marx, Friedrich Engels et al.•The New Economic Sociology•2021

Highly citedNo

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