Making Space for a Creative Economy
The Work of La Machine
Bibliographic Data
| ID | 14997154 |
|---|---|
| Authors | David Calder (0000-0002-3367-9238, David Calder is a Fulbright Fellow and a doctoral candidate in the Interdisciplinary PhD in Theatre and Drama (IPTD) at Northwestern University. His dissertation examines how street theatre companies and former factory workers negotiate deindustrialization and redevelopment in contemporary France. He has contributed essays on French theatre to the anthologies Shakespeare Beyond English: A Global Experiment (Cambridge University Press, 2013) and A History of Collective Creation (Palgrave Macmillan, 2013)...., corresponding author) |
| Year | 2013 |
| Volume | 57 |
| Issue | 4 |
| Pages | 120-134 |
| Publication date | 2013-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00306 |
| OpenAlex | W2142688683 |
| Language | EN |
| References cited | 9 |
The street theatre company La Machine has converted the derelict shipyards of Nantes into a cultural destination for an aspiring creative city. The discursive and embodied reconfiguration of the shipyards as both public space and workspace reveals the complex labor fueling creative economies
Archaeology · Architectural engineering · Art · Control reconfiguration · Creative economy · Creative industries · Creative work · Creativity · Economics · Economy · Embodied cognition · Political science · Public space · Robot · Shipbuilding · Shipyard · Sociology · Visual arts · Work (physics · Workspace · Computer Science · Cultural Identity and Heritage · Cultural Industries and Urban Development · Engineering · History · Public Spaces through Art · Artificial Intelligence · Mechanical Engineering
| Highly cited | No |
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