Laotang
Intimate Encounters
Bibliographic Data
| ID | 14997237 |
|---|---|
| Authors | Dror Harari (0000-0002-4607-1563, Dror Harari is a Lecturer at the Department of Theatre Arts and at the Interdisciplinary Program in the Arts (Graduate Program), Tel Aviv University, as well as at the School of Visual Theatre, Jerusalem. His main academic interests are 20th-century theatre and performance, performance art, and theories of performance and performativity. Recent articles appear in Beckett Today/Aujourd'hui, Theatre Research International, Assaph: Studies in the Theatre, and Zmanim: A Historical Quarterly. He is associate..., corresponding author) |
| Year | 2011 |
| Volume | 55 |
| Issue | 2 |
| Pages | 137-149 |
| Publication date | 2011-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00076 |
| OpenAlex | W2083911106 |
| Language | EN |
| References cited | 8 |
Intimacy is explored and encountered in contemporary performances that feature one performer and one spectator/participant, including Laotang by Israeli choreographer Danielle Agami. The state (and possible future) of human relations lies at the heart of one-to-one live works, which draw attention to the idea that our subjective experience is not only embodied but inherently relational
Aesthetics · Art · Embodied cognition · Epistemology · Linguistics · Performing arts · Sociology · Visual arts · Computer Science · Diversity and Impact of Dance · Philosophy · Psychology · Social Psychology · Theatre and Performance Studies
| Highly cited | No |
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