The Sensation of Waiting
Beth Gill's what it looks like, what it feels like
Bibliographic Data
| ID | 14997306 |
|---|---|
| Authors | Gillian Lipton (Gillian Lipton is completing a dissertation in the Department of Performance Studies at Tisch School of the Arts/NYU. She has taught in the Art and Public Policy Program and the Expository Writing Program at NYU. She has performed in works by Richard Foreman, Douglas Dunn, and Nancy Meehan, among others, and in solo work of her own., corresponding author) |
| Year | 2009 |
| Volume | 53 |
| Issue | 4 |
| Pages | 171-176 |
| Publication date | 2009-11-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram.2009.53.4.171 |
| OpenAlex | W2154163621 |
| Language | EN |
| Citations received | 1 |
By subverting the visual, Beth Gill's choreography opens danced performance to a broader field of sensation. Through this feminist strategy, her piece revisits foundational questions about the politics of perception and dance production
Aesthetics · Art · Choreography · Cognitive psychology · Dance · Field (mathematics · Perception · Political science · Politics · Sensation · Sociology · Visual arts · Art, Politics, and Modernism · Diversity and Impact of Dance · Law · Mathematics · Psychology · Theatre and Performance Studies
| Citations per year | 0.33 |
|---|---|
| Citation span | 2023 - 2023 (1) |
| Highly cited | No |