Performing the Un-Chosen Israeli Body
Nataly Zukerman’s Haguf Ha’acher
Bibliographic Data
| ID | 14997341 |
|---|---|
| Authors | Dror Harari (0000-0002-4607-1563, Dror Harari is a Senior Lecturer at the Department of Theatre Arts, Tel Aviv University. His book, Self-Performance: Performance Art and the Representation of Self, was published in Hebrew by Resling Publications (2014). His current research, funded by a research grant from the Israeli Science Foundation (ISF), focuses on the historiography of performance art in Israel, from its origins in the 1960s and through the 1970s. He serves as the secretary-general of the Israeli Association for Theatre Research., corresponding author) |
| Year | 2016 |
| Volume | 60 |
| Issue | 1 |
| Pages | 157-164 |
| Publication date | 2016-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00530 |
| OpenAlex | W2274980092 |
| Language | EN |
| Citations received | 2 |
| References cited | 6 |
Nataly Zukerman “comes out” in this autobiographical performance piece, exposing to the public eye the “invisibility” of her limp; an invisibility imposed on her by a society that insists on downplaying her disability in an attempt to normalize her. Her “other body” is set against not only the universally fabricated image of the privileged able body but also, quite specifically, the idealized, physically fit, heroic Israeli body
Aesthetics · Embodied cognition · Epistemology · Invisibility · Limp · Sociology · Computer Science · Gender Studies · Jewish and Middle Eastern Studies · Medicine · Philosophy · Philosophy, Ethics, and Existentialism · Psychology · Spatial and Cultural Studies · Artificial Intelligence · Surgery
| Citations per year | 0.22 |
|---|---|
| Citation span | 2017 - 2024 (8) |
| Highly cited | No |