The Anatomy of Blasphemy
Passion and the Trial of Dorota Nieznalska
Bibliographic Data
| ID | 14997408 |
|---|---|
| Authors | Magda Romanska (0000-0002-2513-6137, Magda Romanska is Assistant Professor and Head of Theatre Studies at Emerson College in Boston, Massachusetts. She has two chapters forthcoming, “Hamlet, Masculinity, and 19th-Century Nationalism,” in Gender, Ghosts, and History, and “Feminist as Terrorist: Gender, Ethics, and Representation in Heiner Müller's Hamletmachine,” in a yet-to-be-titled anthology (both from Cambridge Scholars Press)., corresponding author) |
| Year | 2007 |
| Volume | 51 |
| Issue | 2 |
| Pages | 176-181 |
| Publication date | 2007-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press (PUBLISHER • US) |
| DOI | 10.1162/dram.2007.51.2.176 |
| OpenAlex | W2052583494 |
| Language | EN |
| References cited | 4 |
What is the relationship of an artwork to the sociopolitical context in which that work was created? James Westcott discusses how Thomas Hirschhorn in Superficial Engagement reproduces the violence of war propaganda. Magda Romanska analyzes the trial in Poland of Dorota Nieznalska, accused of “offending religious feelings” with her work Passion. Ilka Saal reports on the 15th International Istanbul Theater Festival where emerging artists break with both the state and aging Western notions of the avantgarde
Archaeology · Art · Blasphemy · Context (archaeology · Feeling · Passion · Political science · State (computer science · Visual arts · Art, Politics, and Modernism · Cinema and Media Studies · History · Law · Psychology · Social Psychology · Theatre and Performance Studies
| Highly cited | No |
|---|