Times of Dispossession and (Re)possession
An Interview with Silvia Federici
Bibliographic Data
| ID | 14997461 |
|---|---|
| Authors | Arlen Austin (Arlen Austin is a PhD student in the Department of Modern Culture and Media at Brown University. His research explores theories of work and its refusal and the uses of media by postwar social movements., corresponding author), Beth Capper, Rodrigo Schneider (0000-0002-8496-4178), Rebecca Schneider (0000-0001-7346-6723) |
| Year | 2018 |
| Volume | 62 |
| Issue | 1 |
| Pages | 131-142 |
| Publication date | 2018-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00723 |
| OpenAlex | W2788678639 |
| Language | EN |
| References cited | 2 |
In this wide-ranging interview with the Marxist feminist activist and theorist Silvia Federici, Arlen Austin asks Federici about the genesis of her book Caliban and the Witch: Women, the Body and Primitive Accumulation (2004), what it means to acknowledge and feel the trace of the past in the present, and the importance of aesthetic forms such as music and theatre to feminist social movements
Aesthetics · Art · Art history · Marxist philosophy · Political science · Politics · Possession (linguistics · Sociology · Visual arts · Witch · Art, Politics, and Modernism · Gender Studies · Latin American and Latino Studies · Law · Philosophy · Theatre and Performance Studies
| Highly cited | No |
|---|