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Imaginaries of Exile and Emergence in Israeli Jewish and Palestinian Hip Hop

Bibliographic Data

ID14997471
AuthorsDavid A Mcdonald (0000-0003-1971-0427, David A. McDonald is Assistant Professor of Ethnomusicology and Anthropology at Indiana University. Since 2002 he has worked closely with Palestinian communities in Israel, Jordan, the West Bank, and North America. In addition to articles on music, violence, and masculinity, he is the author of My Voice Is My Weapon: Music, Nationalism, and the Poetics of Palestinian Resistance (Duke University Press, 2013) and coeditor of Palestinian Music and Song: Expression and Resistance since 1900 (Indiana..., corresponding author)
Year2013
Volume57
Issue3
Pages69-87
Publication date2013-09-01
Open AccessNo
TypeARTICLE
VenueTDR/The Drama Review (JOURNAL)
Journal identifiersISSN: 1054-2043 • E-ISSN: 1531-4715
PublisherMIT Press (PUBLISHER • US)
DOI10.1162/dram_a_00280
OpenAlexW2108086285
LanguageEN
Citations received3
References cited12

The landscape of hip hop among Jewish and Palestinian communities in Israel may be understood as the performative interplay of two discursive strategies: exile and emergence. The shift from exile to emergence, embodied in the work of several contemporary hip hop artists, offers a unique reimagining of the Israeli nation-state and provides opportunities for interrogating the dynamics of power and performance in Israel/Palestine

Aesthetics · Ancient history · Archaeology · Art · Embodied cognition · Judaism · Palestine · Performative utterance · Power (physics · Sociology · Anthropological Studies and Insights · Gender Studies · History · Jewish and Middle Eastern Studies · Music History and Culture · Philosophy

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Citations per year0.6
Citation span2021 - 2021 (1)
Highly citedNo

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