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We Rule the Waves”

Athletic Labor, Femininity, and the Collective in Billy Rose’s Aquacade

Bibliographic Data

ID14997478
AuthorsYasmine Marie Jahanmir (0000-0001-9045-9621, Yasmine Marie Jahanmir is Assistant Professor of Drama at the American University of Kuwait. A lifelong synchronized swimmer, her dissertation “Bathing Beauties: Gender, Nationalism, and Space in Theatrical Synchronized Swimming” identifies synchronized swimming as an important nexus of feminine labor, nationalist spectacle, and bodily display in American popular culture. She has published in Women and Performance, Theatre Survey, and The Living Dance: An Anthology of Essays on Movement and Culture. She..., corresponding author)
Year2017
Volume61
Issue3
Pages112-131
Publication date2017-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTDR/The Drama Review (JOURNAL)
Journal identifiersISSN: 1054-2043 • E-ISSN: 1531-4715
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/dram_a_00676
OpenAlexW2746247873
LanguageEN
Citations received1
References cited16

In the 1930s and ‘40s, nightclub impresario Billy Rose cast Olympic swimmers and divers in starring roles for his patriotic World’s Fair revue. Positioning the Aquacade in the genealogies of mass spectacles, militaristic display, girly revues, and the rising popularity of pool culture reveals the theatrical framing of athletic labor as vigorously effective in creating a visible female collective on the eve of World War II

Art · Femininity · Framing (construction · Militarism · Political science · Popularity · Rose (mathematics · Sociology · American Sports and Literature · Gender Studies · History · Law · Sport and Mega-Event Impacts · Sports, Gender, and Society

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Unique citing works1
Citations per year0.33
Citation span2023 - 2023 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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