Plato, Procedures, and Artificial Everything
Bibliographic Data
| ID | 14997482 |
|---|---|
| Authors | Annie Dorsen (Institute of Contemporary Art, corresponding author) |
| Year | 2019 |
| Volume | 63 |
| Issue | 4 |
| Pages | 113-120 |
| Publication date | 2019-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00878 |
| OpenAlex | W2990487485 |
| Language | EN |
| Citations received | 3 |
| References cited | 1 |
Nearly 10 years after Hello Hi There (2010), the proliferation of algorithmically generated fakes, copies, frauds, bots, and trolls casts the project of algorithmic theatre in a newly ambiguous light. How should theatre, with its long history of problematizing questions of appearance, impersonation, illusion, truth, and falsehood, respond to these new forms of data-driven representations
Aesthetics · Art · Cognitive psychology · Illusion · Visual arts · Computer Science · History · Psychology · Theatre and Performance Studies · Artificial Intelligence
| Unique citing works | 3 |
|---|---|
| Citations per year | 0.75 |
| Citation span | 2022 - 2025 (4) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |