Walking the Talk Castillo Theatre of 2002
Bibliographic Data
| ID | 14997694 |
|---|---|
| Authors | Sean Cook (Sean Cook is currently pursuing a joint PhD in Drama and the Humanities from Stanford University., corresponding author) |
| Year | 2003 |
| Volume | 47 |
| Issue | 3 |
| Pages | 78-98 |
| Publication date | 2003-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/105420403769041400 |
| OpenAlex | W2027904516 |
| Language | EN |
| Citations received | 3 |
| References cited | 1 |
The Castillo Theatre, aka the Castillo Cultural Center, is a controversial presence in New York. Dubbed by some as a cult, the Center and its wide-ranging activities are for others community-building, socially constructive, and avantgarde. Castillo is very much the creature of its founder and leader, psychotherapist/playwright/social philosopher Fred Newman. The articles and interview in this section include an overall assessment of Castillo, a detailed discussion of Newman's production of Heiner Mu ̈ller's Germania 3 Ghosts at Deadman, and a “directors dialogue” between Newman and Robert Wilson. An earlier essay on Castillo appeared in T135 (36:3, 1992), Eva Brenner's “Theatre of the Unorganized: The Radical Independence of the Castillo Cultural Center.”
AKA · Ancient history · Art · Art history · Center (category theory · Cult · Independence (probability theory · Sociology · Art Therapy and Mental Health · History · Psychotherapy Techniques and Applications · Theatre and Performance Studies
| Citations per year | 0.19 |
|---|---|
| Citation span | 2010 - 2010 (1) |
| Highly cited | No |