From Object to Performance in Israeli Art
A Historiography
Bibliographic Data
| ID | 14997808 |
|---|---|
| Authors | Dror Harari (0000-0002-4607-1563, Hebrew Home, corresponding author) |
| Year | 2018 |
| Volume | 62 |
| Issue | 4 |
| Pages | 41-63 |
| Publication date | 2018-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00792 |
| OpenAlex | W2902870813 |
| Language | EN |
| Citations received | 2 |
| References cited | 3 |
Israeli art of the 1960s–’70s was a thriving scene of performative art practices, of which very little is known to the international community of performance researchers. Evolving gradually in response to new trends on the American and European art scenes, these performative manifestations reacted to and reflected the specific local circumstances that would eventually result in a major change in the country’s life, culture, and art
Aesthetics · Archaeology · Art · Historiography · Linguistics · Object (grammar · Performative utterance · Social science · Sociology · Thriving · Visual arts · History · Jewish and Middle Eastern Studies · Middle East Politics and Society · Philosophy · Public Spaces through Art
| Citations per year | 0.33 |
|---|---|
| Citation span | 2020 - 2024 (5) |
| Highly cited | No |