The Voice from the 10th Row
Carl Weber and the Berliner Ensemble
Bibliographic Data
| ID | 14997809 |
|---|---|
| Authors | Branislav Jakovljevic (0000-0003-2393-6648, Stanford Medicine, corresponding author), Keara Harman (Harman (United States)), Michael Hunter (0000-0002-0307-9127, Saint Michael's College, corresponding author), Jamie Lyons (Independent Dance), Lindsey Mantoan (0000-0003-3031-7378, Linfield College, corresponding author), Ljubiša Matić (Engineering Arts (United States), corresponding author), Ciara L Murphy (0000-0001-8335-0847, Murphy Oil Corporation (United States), corresponding author), Ciara Murphy, Jens Pohlmann (0000-0001-6614-5358, Stanford Medicine, corresponding author), Ryan Tacata (Immersion (United States), corresponding author), Giulia Vittori (Independent Dance, corresponding author) |
| Year | 2018 |
| Volume | 62 |
| Issue | 3 |
| Pages | 55-108 |
| Publication date | 2018-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00773 |
| OpenAlex | W2889396030 |
| Language | EN |
| References cited | 2 |
During his time working with the Berliner Ensemble, Carl Weber observed firsthand Brecht’s techniques as he called out directions to his actors from the 10th row. Weber, groundbreaking theatre director, actor, scholar, and pedagogue, gave a series of interviews during his final years with a group of faculty, postdoctoral fellows, and graduate students at Stanford University, reflecting on the artistic processes of the Berliner Ensemble and its legacy
Art · Art history · Sociology · Arts, Culture, and Music Studies · Theater, Performance, and Music History · Weber, Simmel, Sociological Theory
| Citation velocity | historical |
|---|---|
| Highly cited | No |