The Simplest Surrealist Act
Valerie Solanas and the (Re) Assertion of Avantgarde Priorities
Bibliographic Data
| ID | 14998019 |
|---|---|
| Authors | James M Harding (Associate Professor of English at Mary Washington College., corresponding author) |
| Year | 2001 |
| Volume | 45 |
| Issue | 4 |
| Pages | 142-162 |
| Publication date | 2001-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/105420401772990388 |
| OpenAlex | W2002792075 |
| Language | EN |
| Citations received | 9 |
| References cited | 4 |
She shot pop art superstar Andy Warhol—but, really, who was Valerie Solanas? And what was “SCUM”? Answering those questions tells a lot about the radically changing landscape of the American avantgarde of the late 1960a
Aesthetics · Art · Art history · Assertion · Shot (pellet · Superstar · Art, Politics, and Modernism · Cinema and Media Studies · Computer Science · Music History and Culture
| Citations per year | 0.47 |
|---|---|
| Citation span | 2007 - 2025 (19) |
| Highly cited | No |