Citizen Action
Political Performance after Yugoslavia
Bibliographic Data
| ID | 14998602 |
|---|---|
| Authors | Adair Rounthwaite (0009-0001-4131-6912, Institute of Contemporary Art, corresponding author) |
| Year | 2019 |
| Volume | 63 |
| Issue | 2 |
| Pages | 117-137 |
| Publication date | 2019-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00838 |
| OpenAlex | W2947910884 |
| Language | EN |
| References cited | 6 |
Post–2000, the space of what was formerly socialist Yugoslavia saw the rise of politicized performance practices that interrogate the nation and national identity. The performance works of Grupa Spomenik (The Monument Group), Slaven Tolj, and the three artists who changed their names to Janez Janša all ask what it means to be a citizen, specifically by engaging with commemoration as a paradigmatic act of citizenship
Aesthetics · Art · Citizenship · Linguistics · Media studies · Political action · Political science · Politics · Sociology · Balkan and Eastern European Studies · Balkans: History, Politics, Society · Gender Studies · Law · Memory, Trauma, and Commemoration · Philosophy · Public Administration
| Highly cited | No |
|---|