Reform” at the Shanghai Jingju Company and Its Impact on Creative Authority and Repertory
Bibliographic Data
| ID | 14998649 |
|---|---|
| Authors | Elizabeth Wichmann-Walczak (Professor of Theatre Arts and Chair of the University of Hawai'i at Manoa Department of Theatre and Dance., corresponding author) |
| Year | 2000 |
| Volume | 44 |
| Issue | 4 |
| Pages | 96-119 |
| Publication date | 2000-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/10542040051058500 |
| OpenAlex | W1918716193 |
| Language | EN |
| Citations received | 3 |
| References cited | 1 |
Once upon a time, Beijing/Peking “Opera” was a thriving, popular art. But for most of the 20th century—both before and after the victory of Communism in 1949—it was an endangered species. Today, however, the Shanghai Jingju Company is one of the few to successfully increase its audiences, approach eco-nomic independence, and practice bold artistic innovation
Art · Beijing · China · Communism · Economics · Independence (probability theory · Management · Political science · Politics · Social science · Sociology · Thriving · Victory · Cultural Industries and Urban Development · History · Law
| Citations per year | 0.19 |
|---|---|
| Citation span | 2010 - 2021 (12) |
| Highly cited | No |