Dance X Fase X Quad
Choreographic Seeing in Lucinda Childs, Anne Teresa de Keersmaeker, and Samuel Beckett
Bibliographic Data
| ID | 14998732 |
|---|---|
| Authors | Rosa van Hensbergen (New York Times, corresponding author) |
| Year | 2019 |
| Volume | 63 |
| Issue | 3 |
| Pages | 108-127 |
| Publication date | 2019-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00859 |
| OpenAlex | W2970220425 |
| Language | EN |
| Citations received | 2 |
| References cited | 8 |
Minimalist lines often show up in philosophical and theoretical writings to diagram accounts of human perspective. But they also show up to do the opposite: to diagram the possibility of structures that precede or exceed a human perspective. By inhabiting scored lines as bodies in performance and simultaneously imagining what it is to score these lines from above, choreography can animate philosophical and theoretical approaches to perspective to reveal how multiple even minimal lines can become
Art · Art history · Choreography · Dance · Diagram · Literature · Visual arts · Arts and Performance Studies · Computer Science · Philosophy · Samuel Beckett and Modernism · Theatre and Performance Studies
| Citations per year | 0.4 |
|---|---|
| Citation span | 2021 - 2024 (4) |
| Highly cited | No |