Island Hopping Rehearsing the Wooster Group's Brace up
Bibliographic Data
| ID | 14999376 |
|---|---|
| Authors | Euridice Arratia (corresponding author) |
| Year | 1992 |
| Volume | 36 |
| Issue | 4 |
| Pages | 121 |
| Publication date | 1992-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1146220 |
| OpenAlex | W2330174812 |
| Language | EN |
| Citations received | 4 |
I'm not a theatre person, I'm not an acting coach, and I'm not a traditional director. I think it is usually a traditional director who is trained to interpret a play, while I'm making my own play even if I'm using someone else's play. Ifeel that I'm making my own play which means that I have to develop my own language. In standard theatre or a repertory company the actors are supposed to bring a language with them and the directorgives the actors the modus vivendi, so to speak, the reasonfor coughing onstage and helps the actor to make that language work on the stage. On the other hand, I'm working with many diferent kinds of training and ways of performing on the stage and all of them are equally wonderful to me. I don't value one over the other, I value performance, I value the stage
Aesthetics · Art · Brace · Rehearsing · Sociology · Value (mathematics · Visual arts · Computer Science · Engineering · Psychology · Theatre and Performance Studies
| Citations per year | 0.25 |
|---|---|
| Citation span | 2010 - 2024 (15) |
| Highly cited | No |