Africa Stand Up!—and Be Counted Among Others
Bibliographic Data
| ID | 15006419 |
|---|---|
| Authors | Michael Tenzer (0000-0002-4353-3654, University of British Columbia, corresponding author) |
| Year | 2010 |
| Volume | 16 |
| Issue | 4 |
| Publication date | 2010-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.16.4.9 |
| OpenAlex | W1619940818 |
| Language | EN |
| References cited | 7 |
5] In the African examples, that the slightest alteration of a rhythmic pattern has a strong effect on the cycle's metric particularity testifies to the tight warp and weft of content and cyclic frame, even when there is variation or transformation
Aesthetics · Amateur · Art · Audience measurement · Constructive · Cosmopolitanism · Jazz · Literature · Performing arts · Political science · Sociology · Visual arts · Diverse Musicological Studies · History · Law · Music History and Culture · Musicology and Musical Analysis
| Citation velocity | historical |
|---|---|
| Highly cited | No |