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Something Wasn’t Clean”

Black Midwifery, Birth, and Postwar Medical Education in All My Babies

Bibliographic Data

ID15023801
AuthorsWangui Muigai (0009-0002-3305-1317, corresponding author)
Year2019
Volume93
Issue1
Pages82-113
Publication date2019-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueBulletin of the history of medicine (JOURNAL)
Journal identifiersISSN: 0007-5140 • E-ISSN: 1086-3176
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/bhm.2019.0003
PMID30956237
OpenAlexW2925710198
LanguageEN
Citations received8
References cited19

Set in rural Georgia, the 1953 health film All My Babies: A Midwife's Own Story was a government-sponsored project intended as a training tool for midwives. The film was unique to feature a black midwife and a live birth at a time when southern health officials blamed midwives for the region's infant mortality rates. Produced by the young filmmaker George Stoney, All My Babies was praised for its educational value and, as this article demonstrates, was a popular feature in postwar medical education. Yet as it drew acclaim, the film also sparked debates within and beyond medical settings concerning its portrayal of midwifery, birth, and health care for African Americans. In tracing the controversies over the film's messages and representations, this article argues that All My Babies exemplified the power and limits of health films to address the complexities of race and health during an era of Jim Crow segregation

Art history · Film director · Government (linguistics) · Health care · Movie theater · Obstetrics · Political science · Power (physics) · Sociology · American History and Culture · Gender Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Law · Medicine · Race, History, and American Society

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Unique citing works8
Citations per year1.33
Citation span2020 - 2026 (7)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 8

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