Fotografía experimental en España. La obra de Luisa Rojo, intervención y abstracción
Bibliographic Data
| ID | 15035811 |
|---|---|
| Authors | Mónica Carabias Álvaro (0000-0003-3178-4111, Instituto de Historia, corresponding author) |
| Year | 2012 |
| Volume | 24 |
| Issue | 2 |
| Publication date | 2012-07-25 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Arte individuo y sociedad (JOURNAL) |
| Journal identifiers | ISSN: 1131-5598 • E-ISSN: 1698-0611 |
| Publisher | Universidad Complutense de Madrid (UCM) (PUBLISHER) |
| DOI | 10.5209/rev_aris.2012.v24.n2.39028 |
| OpenAlex | W2066151541 |
| Language | ES |
Luisa Rojo (Cetina, Zaragoza, 1946) is considered to be pioneer of the Copy Art and the Cibachrome in Spain. Her interest in the female image, photocopy and color join the use of means of changing and potentially abstract nature. All this has resulted in a few images that violate the boundaries of traditional photography, and pose a constant and balanced dialogue between the form and content
Art · Art history · Humanities · Photography · Visual arts · Photographic and Visual Arts
| Highly cited | No |
|---|