Sobre la inserción del arte activista argentino en los espacios de exhibición
Bibliographic Data
| ID | 15036143 |
|---|---|
| Authors | Daniela Lucena (0000-0003-0353-3550, Universidad de Buenos Aires, corresponding author) |
| Year | 2016 |
| Volume | 28 |
| Issue | 3 |
| Publication date | 2016-09-07 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Arte individuo y sociedad (JOURNAL) |
| Journal identifiers | ISSN: 1131-5598 • E-ISSN: 1698-0611 |
| Publisher | Universidad Complutense de Madrid (UCM) (PUBLISHER) |
| DOI | 10.5209/rev_aris.2016.v28.n3.51664 |
| OpenAlex | W2515059200 |
| Language | ES |
| Citations received | 1 |
This article examines the institutional integration of activist art in the aftermath of the 2001 economic crisis in Argentina. Following this aim, we begin with a description of the most significant new groups of activist art in the City of Buenos Aires. Then, we elaborate the position these new groups take up in the field with respect to their dispute with the “light art” from the 90s, and in relation to the mutual accusations over the “trend” of political art. Finally, we analyse the reception of these groups of activist art in art exhibitions in the City of Buenos Aires and abroad, and we reflect upon the institutionalization of these specific and situated aesthetic and political practices
Art · Art history · Contemporary art · Exhibition · Humanities · Institutionalisation · Performance art · Political science · Politics · Situated · Sociology · Law · Memory, violence, and history · Photographic and Visual Arts · Youth, Politics, and Society
| Citations per year | 0.33 |
|---|---|
| Citation span | 2023 - 2023 (1) |
| Highly cited | No |