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Vox dei, Vox demonium

A Cursory Exploration of “Sound Thinking” in Horror Film

Bibliographic Data

ID15044733
AuthorsJason Wallin (0000-0002-8225-7285, Secondary Education, University of Alberta (Canada)), Jason J Wallin (0000-0002-7716-6987, University of Alberta, corresponding author)
Year2019
Volume26
Issue1
Pages251-271
Publication date2019-07-10
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThéologiques (JOURNAL)
Journal identifiersISSN: 1188-7109 • E-ISSN: 1492-1413
PublisherConsortium Erudit (PUBLISHER • CA)
DOI10.7202/1062070ar
OpenAlexW2965718419
LanguageEN
References cited14

Vox dei, vox demonium marks a cursory attempt to consider a kind of “sound thinking” largely singular to horror film. The essay focuses in particular on the status of “metaphysical subjectivity” as it is modulated by the “sound thinking” of such horror films as The Exorcist, The Amityville Horror, and The Exorcism of Emily Rose, amongst others dealing specifically with audio conceptualizations of demonic possession and invocation

Acoustics · Aesthetics · Art · Epistemology · Exorcism · Invocation · Linguistics · Literature · Metaphysics · Physics · Subjectivity · Theology · Cinema and Media Studies · Gothic Literature and Media Analysis · Philosophy · Sound Studies and Aurality

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    Mladen Dolar•Voice and Nothing More•2006

  • Gilles Deleuze

    Open Access•Todd May•Gilles Deleuze•2005

  • Guided by Voices

    Jason J Wallin•The Review of Education Pedagogy…•2010

  • Sonic Warfare

    Steve Goodman•Sonic Warfare•2009

Citation velocityhistorical
Highly citedNo

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