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Sanctioned irregularities

Martial law in Billy Budd, Sailor

Bibliographic Data

ID15064765
AuthorsKieran Dolin (0000-0002-3161-5740, corresponding author)
Year1994
Volume1
Issue1
Publication date1994-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLaw/text/culture (JOURNAL)
Journal identifiersISSN: 1322-9060 • E-ISSN: 2200-7121
PublisherUniversity of Wollongong Library (PUBLISHER)
DOI10.14453/ltc.593
OpenAlexW1489134443
LanguageEN

For the American legal historian Robert Cover, the writing of Justice Accused: Antislavery and the Judicial Process was a political as well as a scholarly project. This study of nineteenth-century American judges who, despite their own opposition to slavery, ordered the return of escaped slaves in accordance with the Fugitive Slaves Act, provided an analogue for a contemporary conflict between law and conscience, the enforcement of compulsory military service in Vietnam. In his Prelude to Justice Accused, Cover offered a literary exemplum of this conflict: the story of Captain Vere in Melville's Billy Budd. He also proposed one of his "accused" judges, Lemuel Shaw, Chief Justice of Massachusetts and Melville's father-in-law, as a possible model for Vere. Since then, a number of legal-historical readings of Billy Budd, connecting Melville's narrative with the judicial practices of Shaw or his age, have been made. In this paper I review this line of interpretation, and then seek to develop it by focusing on shifts in the discourse of martial law

Art · Martial law · Political science · American Constitutional Law and Politics · Law

Citation velocityhistorical
Highly citedNo

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