Sanctioned irregularities
Martial law in Billy Budd, Sailor
Bibliographic Data
| ID | 15064765 |
|---|---|
| Authors | Kieran Dolin (0000-0002-3161-5740, corresponding author) |
| Year | 1994 |
| Volume | 1 |
| Issue | 1 |
| Publication date | 1994-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Law/text/culture (JOURNAL) |
| Journal identifiers | ISSN: 1322-9060 • E-ISSN: 2200-7121 |
| Publisher | University of Wollongong Library (PUBLISHER) |
| DOI | 10.14453/ltc.593 |
| OpenAlex | W1489134443 |
| Language | EN |
For the American legal historian Robert Cover, the writing of Justice Accused: Antislavery and the Judicial Process was a political as well as a scholarly project. This study of nineteenth-century American judges who, despite their own opposition to slavery, ordered the return of escaped slaves in accordance with the Fugitive Slaves Act, provided an analogue for a contemporary conflict between law and conscience, the enforcement of compulsory military service in Vietnam. In his Prelude to Justice Accused, Cover offered a literary exemplum of this conflict: the story of Captain Vere in Melville's Billy Budd. He also proposed one of his "accused" judges, Lemuel Shaw, Chief Justice of Massachusetts and Melville's father-in-law, as a possible model for Vere. Since then, a number of legal-historical readings of Billy Budd, connecting Melville's narrative with the judicial practices of Shaw or his age, have been made. In this paper I review this line of interpretation, and then seek to develop it by focusing on shifts in the discourse of martial law
Art · Martial law · Political science · American Constitutional Law and Politics · Law
| Citation velocity | historical |
|---|---|
| Highly cited | No |