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The Semiotics of Photographic Evidence

Bibliographic Data

ID15064860
AuthorsAnn Kibbey (University of Colorado System, corresponding author)
Year2001
Volume5
Issue2
Publication date2001-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLaw/text/culture (JOURNAL)
Journal identifiersISSN: 1322-9060 • E-ISSN: 2200-7121
PublisherUniversity of Wollongong Library (PUBLISHER)
DOI10.14453/ltc.688
OpenAlexW188769697
LanguageEN
Citations received1

What makes evidence credible? This question is central to the operation of a legal system because it has so much to do with winning or losing a case. Credibility often hinges on semiotic elements of a trial that are not recognized by law, but which every lawyer recognizes as crucial to the presentation of a case. This semiotic dimension of a case is generally perceived as notoriously unpredictable in its impact. Judges and juries can bestow credibility or withhold it based on a witness's sweating brow, fidgeting hands, tone of voice, the racial and gender characteristics of every person involved in a case, the demeanor and dress of every lawyer, of each defendant. While lawyers pay lip service to the ideal of arguing the evidence of a case to a reasonable conclusion, what lawyers hope for is some incontrovertible evidence that stops the debate, a "smoking gun" that dismisses doubt and shuts down the semiotic play that can influence or even determine credibility

Art · Epistemology · Photography · Semiotics · Visual arts · Archaeological Research and Protection · Digital and Traditional Archives Management · Law in Society and Culture · Philosophy

  • Semiotics of visual evidence in law

    Open Access•Vadim Verenich•Semiotica•2017

Unique citing works1
Citations per year0.11
Citation span2017 - 2017 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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