Pandemic performance portals
Bibliographic Data
| ID | 15080693 |
|---|---|
| Authors | Laura Bissell (0000-0001-6959-0545, Royal Conservatoire of Scotland, Glasgow, Scotland, corresponding author), Sally Charlton (0009-0007-0380-6500, Artist, Glasgow, Scotland), Sinéad Hargan (Artist, Caithness, Scotland), Althea Young (Artist, Glasgow, Scotland) |
| Year | 2024 |
| Volume | 29 |
| Issue | 2 |
| Pages | 330-334 |
| Publication date | 2024-04-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Research in Drama Education The Journal of Applied Theatre and Performance (JOURNAL) |
| Journal identifiers | ISSN: 1356-9783 • E-ISSN: 1470-112X |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13569783.2024.2324904 |
| OpenAlex | W4400399932 |
| Language | EN |
| References cited | 3 |
This collaborative co-authored article argues that performance is a portal that can connect ‘infinite' and ‘far’ communities, and that portals can invite a sense of world-building through digital connections. For two months, a gold shipping container in Glasgow connected to other portals in Iraq, Rwanda, Mexico City, Palestine and Uganda for intimate performance encounters. Using performances created for the Climate Portals festival at the Royal Conservatoire of Scotland during COP26 in November 2021, this article considers performance as a portal that provokes reconsiderations of space, place, and time
Pandemic · Environmental and Biological Research in Conflict Zones · Legal, Health, Environmental and COVID-19 Challenges · Medicine · Zoonotic diseases and public health
| Citation velocity | historical |
|---|---|
| Highly cited | No |