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Talking back, talking out, talking otherwise’

Dementia, access and autobiographical performance

Bibliographic Data

ID15080889
AuthorsJanet Louise Gibson (0000-0003-0130-6223, UTS: Insearch, Sydney, Australia, corresponding author)
Year2018
Volume23
Issue3
Pages340-354
Publication date2018-07-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueResearch in Drama Education The Journal of Applied Theatre and Performance (JOURNAL)
Journal identifiersISSN: 1356-9783 • E-ISSN: 1470-112X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13569783.2018.1474094
OpenAlexW2804471781
LanguageEN
References cited36

This article interrogates access through the lens of public autobiographical performances by people living with dementia who, not generally construed as subjects in Western cultures, rarely appear on public stages. This scarcity underscores a strong connection between access and subjectivity, as well as between access, political distributions of visibility and aesthetic practices: all areas insufficiently theorised in access hermeneutics. Deploying one case study, ‘To Whom I May Concern’, a modality operating in virtual and live performance spaces, I expose access issues to do with the autobiographical performance genre along with the opportunities for resistance to power it affords

Aesthetics · Art · Autobiographical memory · Cognitive psychology · Dementia · Disease · Epistemology · Hermeneutics · Political science · Politics · Power (physics · Resistance (ecology · Scarcity · Sociology · Subjectivity · Visibility · Medicine · Participatory Visual Research Methods · Posthumanist Ethics and Activism · Psychology · Theatre and Performance Studies

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Citation velocityhistorical
Highly citedNo

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