Social art and resilience after the crash
Plugging holes and making whole
Bibliographic Data
| ID | 15081058 |
|---|---|
| Authors | John Yves Pinder (Independent scholar, Hamburg, Germany, corresponding author) |
| Year | 2021 |
| Volume | 26 |
| Issue | 1 |
| Pages | 66-72 |
| Publication date | 2021-01-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Research in Drama Education The Journal of Applied Theatre and Performance (JOURNAL) |
| Journal identifiers | ISSN: 1356-9783 • E-ISSN: 1470-112X |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13569783.2020.1851179 |
| OpenAlex | W3121674463 |
| Language | EN |
| Citations received | 1 |
| References cited | 8 |
This provocation discusses two post-2008 cases of resilience discourse in applied performance contexts. The discussion of the first case focuses on how a variant of resilience discourse legitimises the restructuring of local public services and welfare by naturalising this process. This first discourse will be contrasted to an instance of resilience discourse produced by artists aligned to Left-libertarian social movements. Despite clear differences, I argue that the naturalising of social relations at work in this second discourse and case should also be problematised, if social art is to present an alternative to the status quo
Crash · Criminology · Political science · Psychological resilience · Public discourse · Resilience (materials science · Restructuring · Sociology · Status quo · Welfare · Art Therapy and Mental Health · Computer Science · Law · Psychology · Social Psychology · Theatre and Performance Studies
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |