Documenting a catastrophe as a national experience
Bibliographic Data
| ID | 15086161 |
|---|---|
| Authors | Kyoko Hirano (Film Independent, corresponding author) |
| Year | 2014 |
| Volume | 18 |
| Issue | 3 |
| Pages | 378-390 |
| Publication date | 2014-07-03 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Rethinking History (JOURNAL) |
| Journal identifiers | ISSN: 1364-2529 • E-ISSN: 1470-1154 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13642529.2014.898418 |
| OpenAlex | W2100526689 |
| Language | EN |
| Citations received | 2 |
| References cited | 1 |
A number of feature-length documentaries which take up the issue of the Great East Japan Earthquake, the tsunami, which hit the northeast part of the mainland on 11 March 2011, and the subsequent nuclear meltdown in Fukushima have been made in Japan. This essay will examine how the notion of national and communal consciousness is portrayed in some of these documentaries
Archaeology · China · Consciousness · Epistemology · Feature (linguistics · Geography · Linguistics · Mainland · Mainland China · National consciousness · Political science · Politics · History · Japanese History and Culture · Law · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,4 |
| Citation span | 2021 - 2024 (4) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |