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The Great Parade Portrait of the Artist as Clown

Bibliographic Data

ID15087789
AuthorsP Read (0000-0002-5108-4369, University of St Andrews, corresponding author)
Year2005
Volume12
Issue2
Pages18-18
Publication date2005-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Art Book (JOURNAL)
Journal identifiersISSN: 1368-6267 • E-ISSN: 1467-8357
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.1467-8357.2005.523_5.x
OpenAlexW1534008515
LanguageEN
Citations received2

A review of an exhibition catalogue, discussing how from the eighteenth century to the present artists have identifed with clowns (rootless, outcast, happy and sad entertainers) and have used circus as a subject for their art. This tradition is similarly strong in literature

Art · Art history · Citation · Library science · Parade · Performance art · Portrait · Visual arts · Cinema and Media Studies · Computer Science · Shakespeare, Adaptation, and Literary Criticism

  • Uma história das procissões organizadas por artistas no Brasil e no contexto internacional (1931-2017)

    Open Access•Thomas Maier, Tobias Caspar Maier•2018

  • A circus in Islington

    Jason Price•Early Popular Visual Culture•2020

Unique citing works2
Citations per year0,25
Citation span2018 - 2020 (3)
Citation velocityhistorical
Highly citedNo

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Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae