Seeing the mind, stopping the mind, the art of Bill Viola
Bibliographic Data
| ID | 15400046 |
|---|---|
| Authors | Jamie Jewett (corresponding author) |
| Year | 2008 |
| Volume | 4 |
| Issue | 1 |
| Pages | 81-94 |
| Publication date | 2008-05-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | International Journal of Performance Arts and Digital Media (JOURNAL) |
| Journal identifiers | ISSN: 1479-4713 • E-ISSN: 2040-0934 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1386/padm.4.1.81_1 |
| OpenAlex | W2053356944 |
| Language | EN |
| References cited | 11 |
Video Artist Bill Viola's work is often cited as spiritual, or influenced by Asian thought. In order to delve more deeply into what ‘spiritual’ might mean, this article explores specific features of Viola's work that directly relate to Buddhist awareness practice
Art · Art history · Cognitive science · Viola · Visual arts · Anthropological Studies and Insights · Posthumanist Ethics and Activism · Psychology · Theatre and Performance Studies
| Highly cited | No |
|---|