Ambiguous zones
The intertwining of dance and world in the technological era
Bibliographic Data
| ID | 15400057 |
|---|---|
| Authors | Ivani Santana (0000-0001-9634-4219, Universidade Federal da Bahia, corresponding author) |
| Year | 2006 |
| Volume | 2 |
| Issue | 2 |
| Pages | 153-169 |
| Publication date | 2006-10-11 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | International Journal of Performance Arts and Digital Media (JOURNAL) |
| Journal identifiers | ISSN: 1479-4713 • E-ISSN: 2040-0934 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1386/padm.2.2.153_1 |
| OpenAlex | W2074803130 |
| Language | EN |
| References cited | 10 |
This paper analyses the relationship between body and technology in the field of dance by proposing a reflection on the idea of what my collaborator, musician Fernando Iazzetta, and I call ‘ambiguous zones’. Grounding my research in semiotics and the embodiment perspective, I discuss the role of technology in dance in the realm of digital culture in order to understand the implications of the establishment of new configurations in which body, dance, music, image and environment are used to challenge the dichotomies between mind/body, natural/artificial and real/virtual
Aesthetics · Art · Dance · Sociology · Visual arts · Cinema and Media Studies · Law in Society and Culture · Visual Culture and Art Theory
| Citation velocity | historical |
|---|---|
| Highly cited | No |