Performing with robots
Embodiment, context and vulnerability relations
Bibliographic Data
| ID | 15400067 |
|---|---|
| Authors | Eric Mullis (0000-0002-1837-1024, Queens University of Charlotte, corresponding author) |
| Year | 2015 |
| Volume | 11 |
| Issue | 1 |
| Pages | 42-53 |
| Publication date | 2015-01-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | International Journal of Performance Arts and Digital Media (JOURNAL) |
| Journal identifiers | ISSN: 1479-4713 • E-ISSN: 2040-0934 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/14794713.2015.1009233 |
| OpenAlex | W2052502773 |
| Language | EN |
| Citations received | 4 |
| References cited | 11 |
This essay discusses the manner in which machine aesthetics influenced early twentieth-century performance and then draws on contemporary philosophy of technology in order to consider how robots can be experienced as other and how ontological differences between robotic and human bodies are manifested in particular vulnerability relations. These points are then used to analyze two performance pieces that present the interaction of robots and human actors
Aesthetics · Art · Business · Cognitive science · Computer security · Context (archaeology · Epistemology · Human–computer interaction · Human–robot interaction · Order (exchange · Robot · Sociology · Vulnerability (computing · Art, Technology, and Culture · Computer Science · Cybernetics and Technology in Society · Digital Media and Philosophy · History · Philosophy · Psychology · Artificial Intelligence
| Citations per year | 0.5 |
|---|---|
| Citation span | 2018 - 2025 (8) |
| Highly cited | No |