A surviving camera
Reorganized choreographies for the long mode of change
Bibliographic Data
| ID | 15400087 |
|---|---|
| Authors | Marjana Krajac (The Ohio State University, corresponding author) |
| Year | 2023 |
| Volume | 19 |
| Issue | 3 |
| Pages | 463-476 |
| Publication date | 2023-09-02 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of Performance Arts and Digital Media (JOURNAL) |
| Journal identifiers | ISSN: 1479-4713 • E-ISSN: 2040-0934 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/14794713.2023.2254024 |
| OpenAlex | W4386502401 |
| Language | EN |
| References cited | 13 |
This article examines the choreographic sphere through the perspectives of cine-digitalities, archival memories, and camera mediations. I argue that our pandemic and post-pandemic Zoomscapes introduced a new cine-material plane that reorganized the choreographic process, as well as its presence and remoteness. I investigate how the web camera's distinct repository of temporality propels the dance archive forward, its complexity heightened by the pandemic. In all instances, rather than describing works of dance, I focus on how they emerge in this particular digital constellation, while delineating how they occur as complex events: as kinetic objects, kinetic surfaces, and kinetic proceedings, conjoined and choreographically labored by the camera
Art · Choreography · Coronavirus disease 2019 (COVID-19 · Dance · Epistemology · Focus (optics · Physics · Process (computing · Temporality · Visual arts · Cinema and Media Studies · Computer Science · Diversity and Impact of Dance · Philosophy · Theatre and Performance Studies
| Highly cited | No |
|---|