Operations in mixed reality
Bibliographic Data
| ID | 15400322 |
|---|---|
| Authors | Judd Morrissey (School of the Art Institute of Chicago, corresponding author) |
| Year | 2014 |
| Volume | 10 |
| Issue | 2 |
| Pages | 205-215 |
| Publication date | 2014-07-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | International Journal of Performance Arts and Digital Media (JOURNAL) |
| Journal identifiers | ISSN: 1479-4713 • E-ISSN: 2040-0934 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/14794713.2014.946287 |
| OpenAlex | W2043064708 |
| Language | EN |
| References cited | 1 |
The Operature (2014), the first work of Anatomical Theatres of Mixed Reality (ATOM-r), is a live performance and augmented reality poem engaging themes of anatomical science and spectacle. The work's choreography and use of technology are influenced by research into a series of diverse anatomical histories including early-modern surgical theatres, Francis Glessner Lee's miniature crime-scene re-enactments, known as the Nutshell Studies of Unexplained Death, and The Stud File, an autobiographical record of the sexual exploits of Samuel Steward, a twentieth-century tattoo artist, gay pornographer and friend of Gertrude Stein. This writing traces the development of the work and its attempt to create a fluid integration of live performance and computational systems
Aesthetics · Art · Art history · Augmented reality · Choreography · Dance · Human–computer interaction · Mixed reality · Spectacle · Visual arts · Cinema and Media Studies · Computer Science · Historical Art and Culture Studies · Law · Photography and Visual Culture
| Highly cited | No |
|---|