Performing self beyond the body
Replay culture replayed
Bibliographic Data
| ID | 15400331 |
|---|---|
| Authors | Lizbeth Goodman (0000-0003-2714-746X, University of East London, corresponding author) |
| Year | 2007 |
| Volume | 3 |
| Issue | 2-3 |
| Pages | 103-121 |
| Publication date | 2007-12-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | International Journal of Performance Arts and Digital Media (JOURNAL) |
| Journal identifiers | ISSN: 1479-4713 • E-ISSN: 2040-0934 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1386/padm.3.2-3.103_1 |
| OpenAlex | W2022018615 |
| Language | EN |
| References cited | 12 |
This paper re-views the field of performance studies through the lens of a large body of the practical work in new media performance and technology tools creation. It thus engages critically with the author's own earlier ideas about play, replay and the performance of self: taking a new position informed by an altered view of performance that has developed in recent years with benefit of both hindsight and the applied method of multimodal vision. Working live as a mover and director who has taken a visible physical place in mixed ability performance work, the author argues that the framing of self in performance which is personal, is complicated not only by theories of agency and the frames in which performance and performance theory are both viewed and reviewed, but also by the shifting nature of ‘self’ as the body and one's ways of engaging through the body both age and change. The paper has been written specially to set the scene for and raise key issues discussed elsewhere in this double issue
Aesthetics · Art · Media studies · Multimedia · Sociology · Visual arts · Computer Science · Theatre and Performance Studies
| Highly cited | No |
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