Rethinking Fespaco as an Echo
Bibliographic Data
| ID | 15415399 |
|---|---|
| Authors | Amarger Amarger (corresponding author) |
| Year | 2020 |
| Volume | 12 |
| Issue | 1 |
| Pages | 265-265 |
| Publication date | 2020-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Black Camera (JOURNAL) |
| Journal identifiers | ISSN: 1536-3155 • E-ISSN: 1947-4237 |
| Publisher | Indiana University Press (PUBLISHER • US) |
| DOI | 10.2979/blackcamera.12.1.22 |
| OpenAlex | W3124240114 |
| Language | EN |
| Citations received | 1 |
The following comments about FESPACO are based on my work as a journalist, specialized in African cinematography, coming to Ouagadougou since the 1980s to produce radio reports on behalf of RFI, organize round tables, participate in professional meetings, and select films for foreign festivals. Having been a member of the jury for fictional feature films, I was also able to take a close look at how FESPACO functioned, following the actions of its successive managers, while helping promote it within the media I collaborate with
Art · Cinematography · Computer security · Echo (communications protocol · Feature (linguistics · Feature film · Jury · Linguistics · Media studies · Movie theater · Political science · Public relations · Sociology · Visual arts · Work (physics · African history and culture studies · Computer Science · Engineering · Law · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |