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Caribbean Cinematic Créolité

Bibliographic Data

ID15415752
AuthorsBlasini Blasini (corresponding author)
Year2009
Volume1
Issue1
Pages70-70
Publication date2009-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueBlack Camera (JOURNAL)
Journal identifiersISSN: 1536-3155 • E-ISSN: 1947-4237
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/blc.2009.1.1.70
OpenAlexW2009636289
LanguageFR
Citations received1
References cited8

This article proposes that Caribbean cinema needs to be understood in relation to the concept of créolité, that is, the configuration and constant reinvention—the imaging and imagining—of transnational cultural communities emerging from or historically connected to the Caribbean. Cinematic créolité becomes apparent in the historical revisions, narrative constructions, and cinematic representations that engage Caribbean social, political, and cultural syncretism. In this sense, the formation and constant transformation of Caribbean hybrid cultures can be traced through different narrative and representational tactics, especially those connected to Afro-diasporic communities. As a result, these films rescue and give voice to many of the stories and cultural manifestations that have been suppressed, erased or forgotten by Eurocentric and normative versions of the region’s history

Aesthetics · Art · Art history · Epistemology · Linguistics · Literature · Movie theater · Narrative · Normative · Political science · Politics · Relation (database · Sociology · Syncretism (linguistics · African history and culture studies · Anthropology · Caribbean and African Literature and Culture · Caribbean history, culture, and politics · Computer Science · Gender Studies · History · Law · Philosophy

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Unique citing works1
Citations per year0.14
Citation span2019 - 2019 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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