The Rosa Parks Story
The Making of a Civil Rights Icon
Bibliographic Data
| ID | 15415822 |
|---|---|
| Authors | Letort Letort (corresponding author) |
| Year | 2012 |
| Volume | 3 |
| Issue | 2 |
| Pages | 31-31 |
| Publication date | 2012-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Black Camera (JOURNAL) |
| Journal identifiers | ISSN: 1536-3155 • E-ISSN: 1947-4237 |
| Publisher | Indiana University Press (PUBLISHER • US) |
| DOI | 10.2979/blackcamera.3.2.31 |
| OpenAlex | W3148755735 |
| Language | EN |
| Citations received | 5 |
| References cited | 3 |
The Rosa Parks Story (2002) belongs to the wave of civil rights films that emerged in the 1980s and was dedicated to recounting the fight for desegregation in the southern states. Rosa Parks quickly became an icon of collective resistance by famously refusing to forfeit her seat to a white passenger on board a Montgomery, Alabama, bus. In this made-for-television biopic, director Julie Dash strives to retrace Rosa Parks's personal and political journey to emancipation. This article considers the constraints the director had to negotiate while recounting the story of a national icon for television. Not only did the weight of legacy bear on the project, but so did the conventions of the biopic as a genre that stresses the personal rather than the political. The historical narrative of the civil rights movement is simplified into a story that reproduces stereotypes popularized by both race melodramas and mainstream media
Art · Art history · Biography · Civil rights · Emancipation · Icon · Literature · Mainstream · Media studies · Narrative · Negotiation · Political science · Politics · Sociology · White (mutation · American Political and Social Dynamics · Cinema and Media Studies · Law · Race, History, and American Society
| Unique citing works | 5 |
|---|---|
| Citations per year | 1.25 |
| Citation span | 2022 - 2024 (3) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 5 |