A postmodern migrant subjectivity

This article ethnographically explores the ways in which members of an Italian studies book club in the small north-western Ontario (Canada) city of Thunder Bay express their migrant subjectivity by and through a discussion of Penny Petrone’s memoir, Breaking the Mould. It is framed within a postmodern framework that draws attention to how people engage with a local discourse of Italian-Canadian-ness grounded on notions of homeland, heritage culture, and selfhood and challenged by notions of gender, immigrant generational position, and socio-economic class. It draws attention to the problematic of identity and highlights how vexation, tension, contradiction, rupture, and contestation is part and parcel of an Italian-Canadian migrant subjectivity in Thunder Bay and part and parcel of migrant subjectivity more generally

Aesthetics · Agency (philosophy · Art · Contradiction · Epistemology · Homeland · Identity (music · Political science · Politics · Postmodernism · Reading (process · Social science · Sociology · Subjectivity · Canadian Identity and History · Gender Studies · Law · Migration, Ethnicity, and Economy · Oral History, Memory, Narrative Analysis