Membaca Sandur Bojonegoro dan Sandur Tuban
Bibliographic Data
| ID | 15701411 |
|---|---|
| Authors | Joanes Catur Wibono (Institut Seni Indonesia Yogyakarta, corresponding author), Trisno Tri Susilowati (Institut Seni Indonesia Yogyakarta), M Ali As’ad (Institut Seni Indonesia Yogyakarta) |
| Year | 2013 |
| Volume | 10 |
| Issue | 2 |
| Publication date | 2013-11-02 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | RESITAL JURNAL SENI PERTUNJUKAN (JOURNAL) |
| Journal identifiers | ISSN: 2085-9910 • E-ISSN: 2338-6770 |
| Publisher | Institut Seni Indonesia Yogyakarta (PUBLISHER) |
| DOI | 10.24821/resital.v10i2.481 |
| OpenAlex | W1547118505 |
| Language | EN |
| Citations received | 2 |
Reading Bojonegoro and Tuban’s Sandur Performances. Sandur performance is a form of social and culturalactivities of agrarian society. This study focuses on the difference between Bojonegoro and Tuban’s Sandurperformances. This performance is a form of expression patterns of thought and feeling into a tangible folk art. Itwill compare the themes of the stories, the actors, makeup and fashion, properties, music accompaniment, stages,time of performances and audiences. Comparative study of aesthetic forms an important aspect in order to analyze atraditional theater. Based on the research concluded that Sandur performance is one way to present the creative ideaswith aesthetic value. Performing of Sandur also has a complexity of meaning contained therein
Agrarian society · Agriculture · Archaeology · Art · Feeling · Geography · Meaning (existential · Outwash plain · Value (mathematics · Cultural and Artistic Studies · Cultural and Educational Studies · Mathematics · Psychology · Social Psychology
| Citations per year | 0.4 |
|---|---|
| Citation span | 2021 - 2022 (2) |
| Highly cited | No |