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Ikonografi Hindu Abad VIII-XII M di Kabupaten Gianyar, Bangli, dan Buleleng

Analisis Bentuk, Fungsi, dan Makna

Bibliographic Data

ID15701462
AuthorsI Wayan Srijaya (Udayana University), I Wayan Srijaya I Wayan Srijaya, Kadek Dedy Prawirajaya R (Udayana University), Kadek Dedy Prawirajaya R Kadek Dedy Prawirajaya R, Coleta Palupi Titasari (Udayana University), Coleta Palupi Titasari Coleta Palupi Titasari, A A Gde Bagus (Udayana University), A A Gde Bagus A A Gde Bagus, I Nyoman Rema (Udayana University), I Nyoman Rema I Nyoman Rema
Year2020
Volume10
Issue2
Publication date2020-10-10
Open AccessYes
TypeARTICLE
VenueJurnal Kajian Bali (Journal of Bali Studies (JOURNAL)
Journal identifiersISSN: 2088-4443 • E-ISSN: 2580-0698
PublisherUniversitas Udayana (PUBLISHER)
DOI10.24843/jkb.2020.v10.i02.p06
OpenAlexW3092040477
LanguageEN
References cited1

Iconography is the study of the art of sculpture. The statue is a symbol of God or the embodiment of a deceased public figure. In Indonesia in general and Bali in particular, the tradition of making statues has a long history, from the time of farming to the days of the influence of Hindu and Buddhist civilization. During the Hindu and Buddhist era, the development of statues with Hindu and Buddhist motifs was developed. This research is focused on Hindu-style statues found in Gianyar, Bangli, and Buleleng Regencies. Hindu iconographic research aims to obtain the historical pictures of the arts of the statues, their forms, functions, and meanings in people's lives. The results show that Hindu iconography in Bali has various forms, with different functions from the original functions. Likewise, the meanings depend on the community that makes meanings in the present context

Art · Hinduism · Humanities · Theology · Cultural and Artistic Studies · Philosophy

  • The Development of Hindu Iconography

    John M Rosenfield, Jitendra Nath Banerjea•Journal of the American Oriental…•1961

Highly citedNo

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