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The Color-Inlaid “Champlevé” Reliefs of the Synagogue at Sardis

Bibliographic Data

ID15912970
AuthorsMarcus Rautman (0009-0008-0025-4015, corresponding author)
Year2020
Volume383
Pages97-113
Publication date2020-01-29
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueBulletin of the American Schools of Oriental Research (JOURNAL)
Journal identifiersISSN: 0003-097X • E-ISSN: 2161-8062
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/707494
OpenAlexW3003941896
LanguageEN
References cited19

One of the notable features of the Sardis Synagogue was its extensive decoration with floor mosaics, wall paintings, marble revetment, and opus sectile, with an ornamental relief arcade also appearing in the forecourt. Reliefs carved in the distinctive “champlevé” technique presented a series of arches with spandrels featuring vases, vines, and birds set against a reddish ground. The sculptural approach is not well known in the region, although examples of similar work have been reported across Europe and the east Mediterranean, most notably at Aizanoi, Antioch, and Kourion. Other fragments of incised and color-inlaid relief at Sardis suggest that the Synagogue arcade was carved by sculptors who were both familiar with the site and aware of broader trends in architectural ornament in the 6th century c.e. *Remembering Gene Kleinbauer (1937–2019)—teacher, mentor, and friend

Ancient history · Archaeology · Art · Monochrome · Painting · Polychrome · Revetment · Visual arts · Ancient Mediterranean Archaeology and History · Archaeology and Historical Studies · Artificial Intelligence · Classical Antiquity Studies · Computer Science · History

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Citation velocityhistorical
Highly citedNo

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