The Donkey Rider as Icon
Li Cheng and Early Chinese Landscape Painting
Bibliographic Data
| ID | 15949427 |
|---|---|
| Authors | Peter C Sturman (corresponding author) |
| Year | 1995 |
| Volume | 55 |
| Issue | 1/2 |
| Pages | 43-43 |
| Publication date | 1995-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Artibus Asiae (JOURNAL) |
| Journal identifiers | ISSN: 0004-3648 • E-ISSN: 2296-4215 |
| Publisher | Artibus Asiae Publishers (PUBLISHER) |
| DOI | 10.2307/3249762 |
| OpenAlex | W2482501289 |
| Language | EN |
| Citations received | 2 |
Etude sur l'evolution des paysages dans la peinture chinoise, principalement pendant la dynastie Song
Archaeology · Art · Art history · Donkey · Icon · Landscape painting · Linguistics · Painting · Symbol (formal · Visual arts · Chinese history and philosophy · Computer Science · History · Philosophy
| Citations per year | 0.22 |
|---|---|
| Citation span | 2017 - 2024 (8) |
| Highly cited | No |