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In the Shadow of Uncle Tom's Cabin

Stowe's Vision of Slavery from the Great Dismal Swamp

Bibliographic Data

ID16305762
AuthorsLisa Whitney (corresponding author)
Year1993
Volume66
Issue4
Pages552
Publication date1993-12-01
Open AccessNo
TypeARTICLE
VenueThe New England Quarterly (JOURNAL)
Journal identifiersISSN: 0028-4866 • E-ISSN: 1937-2213
PublisherJSTOR (PUBLISHER)
DOI10.2307/366033
OpenAlexW2326636570
LanguageEN
Citations received1

D RED, A Tale of the Great Dismal Swamp (1856) inevitably has been read in the shadow of Uncle Tom's Cabin (1852). An unavoidable literary obligation, according to one scholar, a second antislavery novel was obviously Stowe's duty to her public and her publishers. As if Stowe had set out to do much the same thing in Dred that she had in Uncle Tom's Cabin, the failure of the second novel is explained as the exhaustion of whatever force lay behind the successful artistry of the first.' The evidence suggests, however, that Harriet Beecher Stowe never intended to write another Uncle Tom's Cabin. Ever more sensitive to the

Ancient history · Art · Art history · Biology · Psychoanalysis · Shadow (psychology · Swamp · History · Literature: history, themes, analysis · Psychology

  • Was Tom White? Stowe's Dred and Twain's Pudd'nhead Wilson

    Judie Newman•Slavery and Abolition•1999

Citations per year0.04
Citation span1999 - 1999 (1)
Highly citedNo

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