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The Making of an Image

Emily Dickinson's Blue Fly

Bibliographic Data

ID16307674
AuthorsSam S Baskett (Sam S. Baskett, Professor of English (emeritus) at Michigan State University, has written essays on a number of writers, including Jack London, T. S. Eliot, Ernest Hemingway, and, most recently, the Turkish Nobel laureate Orhan Pamuk. He has taught internationally in Mexico, Turkey, Japan, and the United Kingdom., corresponding author)
Year2008
Volume81
Issue2
Pages340-344
Publication date2008-06-01
Open AccessNo
TypeARTICLE
VenueThe New England Quarterly (JOURNAL)
Journal identifiersISSN: 0028-4866 • E-ISSN: 1937-2213
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/tneq.2008.81.2.340
OpenAlexW2071602811
LanguageEN
Citations received1

Emily Dickinson's startling image, “I heard a Fly buzz – when I died,” incorporates aspects of Hawthorne's “common house-fly” in Seven Gables, which echoes elements of Tennyson's image in “Mariana.” Aware of her predecessors' images, Dickinson, through her characteristic synaesthetic interfusion of sensory experiences, “translates” her “blue fly” into something new and strange

Aesthetics · Art · Art history · Image (mathematics · Literature · Marketing buzz · On the fly · Operating system · Aesthetic Perception and Analysis · Artificial Intelligence · Computer Science · Visual Culture and Art Theory

  • Locating the Animal in Emily Dickinson’s Poem “I heard a Fly buzz - when I died -”

    Open Access•Adrian Trojak•Zoophilologica•2025

Citations per year1
Citation span2025 - 2025 (1)
Highly citedNo

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