Henry James and the Writing of Race and Nation
Bibliographic Data
| ID | 16307874 |
|---|---|
| Authors | Christina Zwarg (corresponding author), Sara Blair |
| Year | 1998 |
| Volume | 71 |
| Issue | 4 |
| Pages | 665 |
| Publication date | 1998-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The New England Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 0028-4866 • E-ISSN: 1937-2213 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/366616 |
| OpenAlex | W2169682093 |
| Language | EN |
| Citations received | 10 |
Introduction: making a difference: Henry James, literary culture, and racial theater 1. First impressions: 'Questions of Ethnography' and the art of travel 2. 'Preparation for culture': Anthony Trollope, the American Century, and the fiction of freedom 3. 'Trying to be Natural': authorship and the power of type in The Princess Casamassima 4. James, Jack the Ripper, and the cosmopolitan Jew: staging authorship in The Tragic Muse 5. Documenting the alien: racial theater in The American Scene
Art · Race (biology · Sociology · American and British Literature Analysis · Gender Studies · Race, History, and American Society
George Eliot and the Sequel Question
The Shop of Curiosities
James Baldwin and theUnhistoric Life of Race
Home on the Train
Dark Spot” in the Picturesque
Class, Culture, and the Trouble with White Skin in Hawthorne's The House of the Seven Gables
What Maisie Promised
Les beaux jours sont passés”
Cruising Henry James
Two New Sources for The Tragic Muse
| Unique citing works | 10 |
|---|---|
| Citations per year | 0.36 |
| Citation span | 1998 - 2016 (19) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 9 |