GLN 15–16. Les éditions imprimées à Genève, Lausanne et Neuchâtel aux XVe et XVIe siècles
Bibliographic Data
| ID | 16345485 |
|---|---|
| Authors | Jean-François Gilmont (Queen's University, corresponding author), François Paré (Queen's University) |
| Year | 2018 |
| Volume | 40 |
| Issue | 4 |
| Pages | 213-217 |
| Publication date | 2018-01-28 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Renaissance and Reformation (JOURNAL) |
| Journal identifiers | ISSN: 0034-429X • E-ISSN: 2293-7374 |
| Publisher | University of Toronto Libraries - UOTL (PUBLISHER) |
| DOI | 10.33137/rr.v40i4.29289 |
| OpenAlex | W2174891392 |
| Language | FR |
comptes rendus 213 in both painting and cartography with reference to the interactive installations Folding Perspectives I and II by Bernd Lintermann and Nikolaus Vlzow. According to Semmerling, these installations involve large-scale, computergenerated images that "enable their viewers to experience the landscapes of Pieter Snayers and Jacob van Ruisdael through their own bodies. " This adds little to one's understanding of the basic theme addressed by the book
Art · Historical and Linguistic Studies · Historical and Literary Analyses · Historical and Literary Studies
| Highly cited | No |
|---|